Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

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A new light on American filmmaker Steven Spielberg, Hollywood’s greatest director, offering a unique perspective on his work and digging into his personal influences.

A mix of characters and actions create only a semblance of a plot in this confusing tale of intrigue, undefined crimes, and incest. A newspaper reporter is working on a story about a criminal serving time in jail. He interviews the prisoner, has an affair with the criminal's daughter, and also spends some time in bed with his editor's wife. His amorous life is an adjunct to his searching out the details of the prisoner's case -- though tragedy strikes before the journalist can wrap everything up. In the meantime, it becomes clear that the daughter and imprisoned father had an incestuous relationship, raising more questions than answers.

Conversation with Steven Spielberg about the movie "Lawrence of Arabia."

The Steven Avery case has become a national obsession. ID Front Page brings you the story of the man who served 18 years in prison for a crime he never committed... only to find himself back behind bars just two years later, charged in a brutal murder.

Swedish television presenters/entertainers Filip Hammar and Fredrik Wikingsson have been given the chance to interview Steven Spielberg for one minute. What will they ask?

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Dedicated to the One Eye Love is a Chaplinesque meditation on silent film, and a rather apocalyptic view of Chicago in the early 1970s. A homeless man roams the streets of an empty downtown. The sky keeps flashing as though bombs were dropping, or perhaps the BIG one. He meets a woman in an abandoned building. They dance and part company.

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